This blog is dedicated to the sublime instruments called nose flutes and which produce the most divine sound ever. We have chosen to discard all the native models from S. Pacific and Asia, for they need fingering to be played. We'll concentrate on "buccal cavity driven" nose flutes : the well patented and trademarked metal or plastic ones, plus, by a condemnable indulgence, some wooden craft or home-made productions.
Showing posts with label Flapi. Show all posts
Showing posts with label Flapi. Show all posts

Jan 8, 2013

Flapi...an origin for the name?

Do you remember Flapi, the spanish-basque fluo plastic nose flute produced in 1988? Some of us wondered what such a commercial name could come from...



Well... I found a comic, that was also a cartoon, which was broadcast in Spain from 1979 and featured a couple of squirrels. The two little heroes were names Banner and Flapi (Flapi was the lady), and the cartoon Banner y Flapi.

Could this have been the origin of the nose flute name? The funny thing is that the typo used for both the comics and the nose flute resemble much.



A Banner y Flapi episode:

Dec 3, 2012

Review: Flapi!

Do you remember Froby, the fluorescent perspex nose flute from Piet Visser's collection? Here comes Flapi!

I got Flapi from Blanca Celestino, a lady from Donostia/San Sebastián, in the Basque region of Spain. She originally told me that she knew the factory where the Froby and Flapi were made, since a defunct good friend of her was from the makers' family. Finally, she sent me the little treasure: Flapi! Thank you a lot, Blanca!

Blanca especially made a funny box to protect and transport the nose flute:

And finally, the naked baby:



Flapi exactly follows the design of the ES 1,004,918 U patent, filed Mar. 7, 1988 and registered Oct. 10, 1988. The applicants were Uriarte Urbina and Antonia Maria, inventors, for the account of Papelaria Informal S.A., Donostia-San Sebastián.



Flapi was probably produced before Froby, because its design follows the patent (there is a subtle difference in the height of the "wings" though). However, Flapi and Froby are very close one to the other. The main difference lays in the large "wings" that grew on the sides of Froby's airway, providing its futuristic look. The other difference is that a huge injection point appeared on Froby's mouth shield, whilst Flapi featured 2 small and flat ones under the base of the "wings", plus a central one.



Flapi is a rather compact and functional nose flute, according to the fact that the "elephant ears" wings have been designed in order to provide a good grip. Flapi is a beautiful plastic nose flute, already modern comparing to the Schwan which was a plastic version of the antique tin Nasenflöten, but still "shy" when sit besides the Froby.

IMHO, he typo is the only choice that is debatable. It's really bizarre to find this Art Nouveau / 1970's Chewing gum typo on a rather technical product of the very end of the 1980's. More, it has not been typed with a professional font, but designed by hand, and looks really... lame.



The nose shield is a simple concave square with a rectangle hole. It is surprinsingly comfortable and efficient. The "elephant ears" are really ergonomic and provide a good grip for the thumb and the forefinger.

The mouth hole is very wide (2cm) and the labium is kind of rounded, with a "double bevel" made by the succession of 2 angles.



Those technical features are very efficient, as already noticed by Mr. Maikel Mei while trying Piet Visser's Froby. Indeed, the Flapi produces a very powerful sound, a great attack and response. Thanks to the nice ergonomics, there is no air leaking.
The tonality range is mid-bass oriented, and trying to reach very sharp notes entails unpleasant ultra-sharp parasitic whistlings. But in the mediums, Flapi is a very good nose flute.

Here is a sound sample. Notice the problem in the high sharps: