Addition to : Born Nose Flutists

Addition to the post Born Nose Flutists : an image and a video.

Clarytone™ : The moulded shell

As exposed here earlier, the Clarytone^™ is the ancestor of the Bocarina^™.

Chris Schuermans sent us other pictures from the origins... The first ones are views of the epoxy putty model of the first generation of Clarytones^™. It is quite interesting to compare with a finished clay model, in order to see what was obtained by moulding, and what was added (or removed) later by hand : all the "sound system" (air entrance, airway, mouth hole, labium...), plus the stamped logo.


The following images are some renderings of the computer model which was used to make the 2nd generation mould.

Archive : Jean Shepherd and the nose flute

Jean Shepherd (1921-1999) was an American raconteur, radio and TV personality, writer and actor. From 1956 to 1977, he broadcast on WOR, a talk format radio based in New York City.

Here are 2 excerpts of the program of the 7th of April, 1965. In the first one, he plays the nose flute over After You've Gone (Turner Layton), and in the second, tells his own story about nose flute.






Here is a 1970 picture of Jean Shepherd, wearing his jaws harp around the neck.

You Are What You Eat

You Are What You Eat is a weird psychedelic « rockumentary » from 1967, directed by Barry Feinstein, and featuring Tiny Tim, Frank Zappa, David Crosby, Hamsa El Din and other famous musicians.

« If "You Are What You Eat", then the performers in that film are made of flowers and bubble gum, with a dash of lollipops and a whiff of pot. It's like watching 6 home movies of your parents' wedding where the characters live -and move and have their being in a time out of mind.. The ancient world of the California hippie in the eternal summer of 1967 is the setting, packaged in the glittering celluloid colors of light shows, flowers, and painted bodies, and tied together with ribbons of pop music..
They're all here,Tiny Tim and The Mothers of Invention,even the Beatles, courtesy of Michael Butler, who joined Peter Yarrow [of Peter, Paul and Mary] in producing the film. » (unidentified source, 1969)



« The soundtrack is phenomenal. The bright yellow cover is as eccentric as the vinyl itself that features audio cut-ups, squealing Moog synthesizers, relentless psychedelic improvisations, lounge music, Tiny Tim oddities, and the final appearance of The Hawks before they changed their name to The Band. »

Bill Crow wrote this text, in which he explains how he played the Humanatone to answer the request of John Simon (the music director), looking for a "really disgusting sound fot the national anthem" :

[From Birdland to Broadway - Scenes from a Jazz Life, by Bill Crow - PP236-237]



Unfortunately, it seems the recording was not kept in the soundtrack. I have not seen the movie neither, but I scanned the music tracks that are available on this page.

Nose flute orchestras

What do you call an orchestra ? Intuitively, I would say there must be, at minimum, 3 members. So, a nose flute orchestra should gather at least 3 nose flutes. We all know the great Slappy Feather Whistle Nose Flute Ensemble from Canada, the German Original Oberkreuzberger Nasenflötenorchester or the defunct Swedish Nose Flute Orchestra. But they are many nose flute bands, more or less ephemeral.

The most beautiful of it certainly is the ISE association gathering, immortalized here, and in which picture I count 54 nose flutists :



Well, I took a tour of Youtube, and for the best and the worst, have attempted an exhaustive gathering of them.

3 players :

4 players :

5 players :

6 players :

7 players :

8 players :

9 players and more :

A funny Bocarina™ customization

Floydblue, ukulele player well known of this blog, has made a funny and weird customization, yet a bit frightening, on his pink Bocarina^™. Thanks to it, no time lost for smoking!

Getting serious about nose flute playing - Part I

Noseflute.org is very glad and lucky to welcome Miss Birdy K. today as an essayist. This text of thoughts about nose flute playing is the first of what we hope to be a long series. Thanks to her!

Getting serious about nose flute playing - Part I

Principles of nose flute playing and practising

Ever since I discovered the nose flute some years ago I have been fascinated by the opportunities this instrument has to offer.
It is very intuitive in its playing techniques, it is funny and makes people laugh a lot (surely not a bad thing) and besides – the nose flute is one of the few instruments that allows a single player to play another instrument like ukulele, violin, piano etc. at the same time (I could only think of the voice and the kazoo that are played hands-free*). Oh, and it is rather cheap. Requires no knowledge of musical notation.
I surely forgot some of the many advantages of the instrument, but the ones listed would be enough to get people interested in it.

So why are there relatively few nose flute players?

I mean players that really get into it and practice and play « serious » music with it.
The attentive reader of this blog certainly knows about the few people I am talking about.
There are many brillant violin players, guitar, ukulele, pan flute, ocarina – amazing stuff on Youtube! Nose flute, well.... you have to endure a lot of stupidities if you search for nose flute on Youtube – if you are lucky you end up on the channel of Master Mosurin, if not, well, I will not mention names...
I thought about this quite a bit already.

Some possible reasons:
- The nose flute is – compared to other instruments - a rather new instrument (the first industrially produced nose flutes date back to about 1900).
- To play the nose flute well is not an easy task. One of the greatest challenges is reaching a good intonation. Since the pitch of the note is changed by very subtle changes of the oral cavity it is very difficult to hit the notes exactly. Still, the singing saw, which I tried as well, is also very tricky about intonation. But there are quite a lot of brillant players to find on Youtube.

To my mind the main and actual reason for the lack of ambitious instrumentalists – correct me if I am wrong – is the fact it looks so incredibly stupid and even if you play like a god – you look stupid whatever you do.



No?
You have to accept the fact that nose flute playing is not very decorative and people tend to be put off by the looks of it (Hannibal Lecter was not helpful for us in this respect).
Well, another reason might really be the difficulty of the instrument and, yes, also, the lack of nose flute teachers. There are quite few. So you need to find out mostly by yourself.
As for my personal nose fluting biography I have to say that I searched for external help and got some very helpful ideas from a friend of mine who is a flute player and Alexander Technik teacher.

This leads us to the next part:

Little essay on playing techniques

This may sound funny but the first thing you have to take into consideration is that the nose flute is a wind instrument! (No matter where the wind comes from ;-)
Whether you play tuba, clarinet or nose flute the sound needs air to be produced. When you find out how to breathe well and deeply your playing will surely improve.
Since I do not know much about this and it is difficult to write in a foreign language (besides the theory is not very helpful anyway) I will not bother you with theories on breathing. Just as an idea: if you want to work in that direction it can be a good idea to take a lesson with an open-minded wind instrument player or a singer.
I have not worked a lot on that yet but I found out how amazingly my playing changed after a lesson with my flute teacher who worked with me on the breathing. After the lesson I played a bit, just for fun, and I was thrilled how much easier it was. Not only could I play longer phrases, it also had a good effect on my speed, here is the proof:



I practised this piece for quite a while already but I had never played it so fast before. And, I must admit, I cannot do it any more in this tempo without a very good warm-up...



Apart from good breathing techniques it can be helpful to follow some basic principles of musical training which are :

1 - practise very slowly

2 - learn to hear the tone you want to produce inside you before you actually play it

1: in my long musical experience I have learned that the best way to learn quickly is to slow down. Play as slow as you can and then play half as fast as that. Playing extremely slowly requires a very good concentration and is a great exercise no matter what instrument or music you play. You do not need to repeat that very often, try to avoid mechanical repetitions but listen very well and attentively – leading to

2: pre-hearing: also, no matter what you play, your playing will benefit from development of imagination for the sounds you produce. Practically speaking: try to « hear » the note you want to play before you play it. This is one of the most important principles for reaching good intonation. If you want reliable results you can practise imagining a tone and then play it and compare the result. If you find it difficult to imagine a note of a certain pitch you can sing (or play on a keyboard) and try to imitate the tone with the nose flute. I do not say this is easy! Nor do I say that I always succeed with that!
However, when you manage to get the intonation you want another step is to work on imagining not just the pitch of the notes but also the kind of sound you want to reach. If you have a good noseflute you will find out that you can produce a very sweet and beautiful sound and you can even modify the colour of sound.



If you develop a good intonation and musicality and ever get to play for an audience and have them listen to you and forget – for a moment – how stupid it looks and funny and how the hell does it work, you will realize what a great instrument you put your nose on!!

I hope, dear reader, I did not bore you too much with these rather specific and sometimes a bit abstract ideas about getting serious on nose flute playing. I had the intention of showing that the nose flute is not just a stupid gadget for entertaining people and make them laugh but also an instrument that gives you many opportunities to learn and train your abilities – as well as any other instrument. No matter to what practice you commit yourself to you will find out that working musically is something that can make you extremely happy. And if you get a nose flute, beware of getting addicted – but at least this is one of the cheapest drugs you can get, n'est-ce pas?

                                                                                                      Birdy K.

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*Publisher note : equiped with some holding devices, other instruments may be played hands-free : Harmonicas, for instance, or pan flutes...


>> Access Part II

Some Rock'n'Roll

I made this little hectic video with my home made aluminium Nasalette, a vintage plastic Maccaferri ukulele and a banana-shaker. If you are not french, you probably don't know this music, but if you are, you should, since it's been the soundtrack for a TV pet program since 1976! You can check the original version here.
Special dedication to my cat Patafix!