This blog is dedicated to the sublime instruments called nose flutes and which produce the most divine sound ever. We have chosen to discard all the native models from S. Pacific and Asia, for they need fingering to be played. We'll concentrate on "buccal cavity driven" nose flutes : the well patented and trademarked metal or plastic ones, plus, by a condemnable indulgence, some wooden craft or home-made productions.

Feb 12, 2023

Rest in peace, dear Chris...

Dear nosefluters, we have a very sad news to share. Mr. Chris Schuermans passed away on 3rd of February in Pretoria (RSA), after a long illness, that he faced with courage and against which he fought like a lion. Chris was a very good friend of us, at, and we mourn for his loss with all our heart.
Chris Schuermans was the designer and producer of the Bocarina® nose flute, among other instruments. He began with clay models in the early 2000s, named Clarytone®, which reached only a local market. But in 2011, after a huge work on the design and the fluid mechanics (including testing the shape with a wind tunnel modelization software), Chris launched the Bocarina®, which quickly became available in the USA, Europe and Japan : a beautiful, sturdy and easy-to-play, yet musically efficient and powerful instrument was accessible for several Dollars. The Bocarina® was indeed a high standard manufactured instrument, and has remained since the only nose flute with such capabilities in that range of prices.
Clarytones :

Bocarinas (Regular (in ABS) and early batches (in Polypropylene) :

Clay and ceramic Bocarinas :

Bocarinas experiments and "Glow in the dark" models :

Chris Schuermans could have stopped there, but he followed his researches on, and in 2016 began the production of the Bocarina Pro®. The goal was to make an instrument in soft plastics, with the purpose of adapting to different types of noses and physiognomies. More, he designed a very new kind of fipple, with a wavy shape in order to expand the ambitus. Chris managed with a hard ABS "technical insert" (the wind way and fipple piece) inset into a soft body (nose hood and mouth shield). The global pitch was a bit higher and the nose flute a bit more tricky to manage, but above all, the manufacturing process was not satisfying (not fully reliable and expensive). That Bocarina® II didn't convince as did the regular model.

The Bocarina® Pro and its incredible fipple :

But Chris carried on, learning from mistakes. Trying 3D printing, 5-axis CNC routing, designing new prototypes and testing different materials, natural and synthetic wood, or rare and expensive other ones imported from different parts of the world. Chris, always very generous, sent us (The Nosy Diva and me) many of those rarities, and some sit among our very best nose flutes. For sure, these would have been too expensive to be mass produced. They were experimental objects dedicated to knowledge improvement.

Natural wood and Chemical wood (Necuron 651) :

On the ceramics side, Mr. Schuermans designed moulds to press clay, not necessarily to produce ceramic Bocarina® in a wide number, but to ensure a regular quality. I don't know exactly how many different models were made in his workshop, but one day he had sent me another ceramic prototype (which plays wonderfully!), I asked him which one it was, and Chris answered to me : "this one should be Bocarina shape #7 or #8, I guess". Not many, but around a hundred or two of the clay Bocarinas (different shapes) reached the market, mainly in Japan (plus Chris' local one in RSA).

Different shapes of ceramic Bocarinas :

But that was not all. Already ill and sometimes very weak, Chris Schuermans had the idea to use the shape of a conch to amplify the nose flute voice. Progressing with "miss and hit", fails and wins, Chris built several prototypes, firstly from (medical) scans of real shells, then by CAD-designing a perfect shape according to acoustics. We suggested to call those "Concharinas", which name Chris adopted. He also wanted to produce some of them in ceramics, but the task revealed very difficult (too many cracks after firing the clay) but not impossible, since he managed to craft successfully some of them. Chris' strength was vanishing away, but our gentle and kind yet... stubborn friend kept on working on the Concharinas with all his heart between his stays at the hospital.

Medical scans of Concharinas :

Raw clay and glazed ceramics :
Chris' last project is a 3D printed shell-bodied violin, which he had just the time to complete. The "Conchiolin" ?

The Conchiolin :
Chris Schuermans' legacy to the nose flute world is huge. He simply re-invented the instrument with a high-tech approach, a real sense of aesthetics and a true and talented craftsmanship. More, he succeeded in manufacturing, ensuring a reliable and regular quality, making professional instruments accessible to anyboby. Chris Schuermans was a true Master, and has been inducted to The Nose Flute Hall of Fame, in the 'Producers' section, at the highest level.
We will terribly miss our friend Chris. We had incredibly interesting talks with him, and funny ones too. He was a kind gentleman and a very sharp mind. We address our deepest condolences and warmest thoughts to his family, particularly to his brother Lodewyk and his children.

Jan 27, 2021

Ergonomics & Elegance


A pair of cheap referee whistles, welded together, bored, sanded and buffed, with silicone tubes as nose inserts. Not very ergonomic, but powerful (and so elegant when plugged in the nose!)

Jan 17, 2021


Made with a Bocarina® nose hood and a Acme® Samba whistle, which belly was bored (1/2 inch). Needs a good air flow (as any whistle), but works fine!

Jan 1, 2021

Happy New Year !

There's no doubt 2021 will easily be better than 2020. addresses you and your relatives its best wishes for the New Year, health and happiness, for sure, and also many joyful nosefluting moments !

Jan 1, 2018

Happy New Year 2018!

All the NoseFlute.Org team wishes you a happy New Year, full of music, peace and love (let’s say a year long personal Woodstock festival)

Nov 9, 2017

Much more about William Carter - Part III

In 2012, we published all what was available to us about the nose flute inventor William Carter's life from his arrival in Lockport (NY) at the age of 5, to his death in Rochester (NY) in 1919 (here, there and there). We also made a replica of his « Nasalette » (see here, there and there).

We have nothing to retract from those pages, except one mistake: Carter's settling year in Albion (NY). Deceived by a homonym in a census sheet, we stated that William Carter made a step in Lewinston (NY) and settled in Albion around 1880. Wrong! We have discovered that Carter went to Albion as soon as 1871 or 1872. But we also have discovered much, much, much more about him.

Indeed, on one hand we found a new source of newspapers – the impressive Jim Fulton's archives – and notably the copies of
The Orleans Republican, daily newspaper published in Albion, in which many details were found. On the other one, we had the great luck to received the generous and enthousiastic help of Mr. Matthew Ballard, Historian of the Orleans County Department of History. All our warmest gratitude and kind regards go to him.


Much more about William Carter

Part III: William Carter, inventor

As we saw it earlier, whether the 1870's were the years for William Carter to settle in Albion, the 1880's were the time for comforting his position in the Albion society. But, besides his commitment in the Fire company, in the Odd Fellows lodge and also lightly in politics (Democrats), William Carter remains a modest tinsmith, employed at George Waterman store. On the other hand, William's brother – James – who started as simple tinsmith too, has reached success and fortune with his patents. There is no doubt that William tried to follow his brother's model...

1. - Patent for a nose flute

How did William Carter get the idea of a nose flute ? This is a mystery, but we know that he was musician. Also, we discovered a news from the Musical World journal in 1890, about an alleged nose flute - the 'Nasi-flauto' – that was diffused all over the world, including in (at least 2) newspapers of the NY state. Actually, it was a kind of trumpet blown with the nose, but it is possible that Carter got aware of that and worked at the design of a 'real' nose flute.

The other question was "how a simple tinsmith managed to file a patent". Bill Carter may have asked advices to his brother, or totally acted by himself. Indeed, I found many (really a lot) of advertisements for agencies proposing their help to file patents. Here are some ads for Munn & Co., the company that William Carter hired for the Nasalette patent. The first (left) one dates of November 1888 and was published in The Progressive Youth:

William Carter filed his patent on November 19, 1891 (it was registered June 14, 1892), and some of the names appearing on the document are familiar in Albion:

J.A. Bergstom was a journalist of the Scientific American magazine, and H. Munn was the attorney owner of the agency. I'm not sure about C. Sedwick, who might have been a NY judge.

But George. B. Church and W. Crawford Ramsdale were prominent figures of Albion. Hon. Geo. B. Church served the state as superintendent of its Insurance Dept, then (in 1890) Deputy State Treasurer. W. Crawford Ramsdale was Albion attorney. According to Mr. Ballard, on this picture in the Orleans Republican office, the man standing in the center of the room is probably Sanford T. Church (Geo. B.'s son) and the man seated is W. Crawford Ramsdale.

Orleans Republican office. By courtesy of the Orleans County Department of History


At the time of the patent, and according to Mr. Matt. Ballard, Bill Carter was living Park Street.
« One of the directories I have shows William living at 28 W. Park Street, I presume before he married Lizzie. » This address should concur with the district numbered D4-P-3:

This address – which is the other place where Carter may have invented the nose flute, besides the Waterman store where he worked – is interesting. Indeed, it was located at the current place of St Joseph (catholic) church and parish. The church was built in 1896, but before that, in 1890, it was the private property of Mrs. Clara Stafford. Mr. Ballard wrote an article which retraces the history of this parcel, and in which we can read that it was including « [a] brick dwelling house, [a] brick barn, and [a]brick tenant house». This last "tenant house" is certainly where Carter was living.

The plot in 1875 (the Baptist church is there, not the Catholic one), and the St Joseph church after 1896:

So, did William Carter design the Nasalette at home or at work? Probably both. Drawings at home, maybe also some tests (he had been "tinsmisth at home" so he should still have had some tools with him. But also likely at Waterman store, at his workshop, after the work or during some free time. Anyway, both buildings do not exist anymore.


The patent is registered on June 14, 1892, and several newspapers mention it.

The Buffalo Express, Jun. 15, 1892:

William Carter sold his patent (we'll get the evidence later, in 1901, at the occasion of the Pan-Am exposition – see below). When was that and who bought it ? On the last question, there is no certainty, but it should be Garrett John Couchois, the wealthy piano dealer, music composer and publisher. And since a nose flute called "Humanatone" was present at 1893 Columbus World's fair, the patent should have been sold in second half of 1892, or at maximum very early 1893 (the time to be registered, but also the time to get nose flutes manufactured for the Fair).
The amount of the deal is not excatly known. It was "a good sum, but not $2,000" (see below, point 3.)

2. - Married man

2,000 US dollars of 1892 are more or less equivalent to $50,000 of today. And even if Carter sold the patent for less (let's say 1,000 or 1,500), he got enough to consider getting married. And that's what he did, in September 1894, with Miss Lizzie O'Brien.

Democrat and Chronicle, Sep. 27, 1894:

The Buffalo Evening News, Sep. 27, 1894:

Elizabeth was born around 1862 (she's 16 years younger than William) [check here], and she's milliner. In 1890 she bought her first millinery shop, in association with Ms. Krank.

Democrat and Chronicle, Aug. 11, 1890:

The shop is located East Bank st., upstairs, "over the old post office". It will remain there until August 1899.

In 1895, the Carters had a son, James Adelbert, born on 4th of July!:

In 1898, William and Elizabeth have a second child, Mary Louise, born on 21st of July, and in 1900, another daughter, Mabel Elizabeth, born on the 1st of June.

In 1899 Lizzie installed her workshop at 53-55 North Main street, in the Day Block, over Landauer & Strouse store, and it is likely that this building was also the Carter's home (we are at least sure, thanks to the census sheet, that they live in North Main street (check here)). The building is almost facing Geo. Waterman's store, on the other side of the street.

Landauer & Strouse, N. Main st. By courtesy of the Orleans County Department of History

We don't know when this photo was taken... but there is a child at the 2nd floor window. Could it be a young Carter?:


1901 is the year of a huge firemen convention in Albion, gathering 10,000 men in uniform. For sure, the Albion Hook and Ladder company took part in the event.

The Parade, seen from Bank st. The photographer should have been in between the Orleans Hotel and the Village Hall:

3. - The Pan Am exposition

While the "Humanatone" (the rebranded Carter's Nasalette) was launched in Chicago World's fair in 1893, it seems it made a big hit at 1901 Buffalo Pan Am exposition. Was Couchois the patent holder who had a booth at the Pan Am expo ? Anyway, the nose flute was sold by thousands! As we saw earlier, Carter might have sold his patent for about $2,000.

The Orleans Republican, Oct. 30, 1901:

Notice that the instrument is called a "flute whistle". And a week later:

The Medina Tribune, Nov. 7, 1901:

40,000! That's a great success for a new small instrument towards which some people still stay reluctant nowadays. Also, it is very surprising that 9 years after Carter sold his patent, the newspapers still argue about the amount (FYI, the "Lance" was The Albion Free Lance, another newspaper)

The Pan Am Fair was the place of assassination of the president McKinley, on the 6th of September. But besides this drama, a small incident happened in November, at the Fair closing day. A crowd rushed down in the Midway alley and made some damages:

The Illustrated Buffalo Express, Nov. 3, 1901:

So, the nose flute booth was adjacent to a Lithia seller, outside "Alt Nürnberg" wall. As any american world's fairs, the Buffalo exposition had a "Midway" alley, with very popular shops and attractions, besides the official majestuous palaces, halls and buildings.

Bird's eye view: the Midway is in the top-left corner:

Midway and Alt Nürnberg:

Lithia were mineral water, supposed to cure many diseases and troubles. There were many brands, notably the Buffalo Lithia Water.

Alt Nürnberg

Here is a picture of Alt Nürnberg entrance door. On the right side, we can see two wooden booths. One is covered with advertisement posters and is undoubtedly the lithia booth. So, the other one, touching the Nürnberg wall, is the nose flute stand!

Unfortunately, there are many people in front of it, and the picture definition does not offer to distinguish more details...

4. - Time for another patent!

In 1903, William Carter has filed another patent. He would not earn more money with the Nasalette/Humanatone, and still following his brother's track, worked on a 'more serious and useful' device, a heater to be attached to stove pipes. I didn't find the patent record, and it is probable that it never got registered by the Patent office. However Carter had the radiators built by the Bromley Foundry Co. (Albion) and sold them during many years. We also learn that the radiator was endorsed by the clergy!

Orleans Republican, Sep. 30, 1903:

Orleans Republican, Oct. 21, 1903:

Orleans Republican, Oct. 23, 1907:

Orleans Republican, Oct. 23, 1907:

The 1906 paper clip teaches us that the radiators are sold by William Carter at the 55 Main st., over Landauer & Strouse store, on the same floor as Lizzie millinery. Indeed, william does not work for Geo. Waterman anymore, and is back a "tinsmith at home", as the 1905 census noted:

Lizzie is reported as a milliner "at home", but contrarywise to William who has the status "O.A." ('own activity'), she is noted as an employee ('Emp'). This is a bit bit weird. In 1903, Lizzie was looking for an apprentice. There is also a verse of a poem – The Brownie's visit to Albion – dedicated to her shop.

Orleans Republican, Sep. 9, 1903:

Orleans Republican, Nov. 4, 1903:

In fact, in 1906, Lizzie Carter sold part of her interests to Ms. Kirby (a friend of her at St Joseph parish, where Lizzie is 1st Vice-president of LCBA). Lizzie is probably preparing the Carters move from Albion to Rochester (in 1909), and is now the employee of her future successor. Indeed, the new worshop is named Kirby and Carter (not the inverse).

Orleans Republican, Aug. 29, 1906:

5. - Last days in Albion

An newspaper article is published in 1906, remembering the "old days" of the Hook and Ladder company, in which William is mentioned. He is 60 years old now, and had given his 1st assistant place to younger firemen. But he's still member of the YAH&L Co., and is elected fire warden in 1907. The same year, he's recalled at a banquet, for his evolutions on the ladders!

Orleans Republican, Feb. 7, 1906:

Orleans Republican, Mar. 13 and 27, 1907:

Less than a week after the banquet, his brother James passed away:

In August, an interesting series of concerts is given in Albion and neighbourhood, by the Sunny South Minstrels, among which William's son Adelbert (12 y.o.) played/sung a little scene called "School Days", then concluded the show with ... a flute solo! Was this a nose flute solo ?

Orleans Republican, Aug. 28, 1907:


The Carters left Albion for Rochester in 1909 (their story there has been published here).

However, William and Lizzie came back regularly to Albion, visiting (Lizzie's) relatives, friends or the annual county fair:

Orleans Republican, Mar. 30, 1910:

Orleans Republican, Jan. 24, 1912:

Orleans Republican, Sep. 18, 1912:

Orleans Republican, Sep. 16, 1914:

Albion county fair, around 1910. By courtesy of the Orleans County Department of History



On the same topic :

- Much more about William Carter - Part I
- Much more about William Carter - Part II
- Much more about William Carter - Part III

- Nose Flute Pioneers: William G. Carter - Part I
- Nose Flute Pioneers: William G. Carter - Part II
- Nose Flute Pioneers: William G. Carter - Part III

- Historic Nose Flutes - The Nasalette: Template
- Historic Nose Flutes - The Nasalette: Building
- Historic Nose Flutes - The Nasalette: Review