As mentioned earlier, the trademark 'Magic Flute' was registered in December 1924, and we can deduce it was on 19th or 20th. It was registered with No. 40,634 for Australia, and the closest trademarks were registered on Thursday 12/18 for No. 40,623 ('Cyclops Dinkie') and Monday 12/22 for No. 40,644 ('Shavex'). So, 'Magic Flute' being right in between, it should have been registered on Friday 19th, or Saturday 20th (in the case the Patent Office was open that day).
On the New Zealand side, the 'Magic Flute' brand got the No. 22,231. I found the No. 22,227 ('Ventex') which was filed on Monday Jan. 5th, 1925. The Alberts filed their brand on the same day or the Tuesday 6th (since No. 22,239 'Columbia' applied on Wednesday).
So, the trademark stampings on the Magic Flutes necessarily appeared after those dates, let's say from 1925. My shiny Aussie dates from before.
Then, totally by chance, in a matter of 3 months after having found the shiny unstamped Magic Flute, I have been able to put my paw on 3 stamped Magic Flutes, from 3 different sellers! (I have to say that I had been looking for a Magic Flute for years! And in 3 months, I got four of them! Well... Six, in fact!...see Part V)
And even more: 3 different models! Look at this post-1925 happy family:
The Nickel-Plated Model
Among my Magic Flutes, the first one is the Nickel-Plated Model. It is the simplest of the three, but it should be bright. Unfortunately, the last owner scraped it like a hog seeking for juicy roots, particularly on the front, and the surface is very dull and scratched. Some points are very oxidized and have turned black, like nickel does with time.
Black oxidation and scratches:
The De Luxe Model
The second one is obviously the Copper model. It is the heaviest of the trio, and weights 20g. As mentionned in the price list, it shows a beautiful dark patina, and was pre-oxidized. But it has no verdigris traces, so I suppose it's more a bronze alliage than pure copper. This De Luxe Model is simply beautiful. But if you look closely... it is not plain copper, but plated!
Great patina, but copper plating only! :
The Concert Model
The third one is the Concert Model, with a thick coat of shiny silver! The oxidation veil, brown turning darker, is typical of silver. Mine has lost its plating on the airway, that's how I can figure the thickness of the coat, and also see the dark grey metal under it. It is the same metal than the one used for the basic Humanatones and other simple nose flutes. It's simple tin. You can notice the lack of the lip rest on this one, but I suppose it has been broken or removed. This Concert model has been damaged a lot, but new, it should have been a beautiful instrument.
The thick coat of silver (yum!):
The stampings are crip and clear, but the wear and tear of some letters show that the copper nose flute was probably older (stamp younger) than the other ones.
An Australian Humanatone ?
Now, Humanatone or not Humanatone, that is the question. I must admit there are many similarities shared by both nose flutes...
Frank Albert ?
In 1904, Frank had a second son, Alexis (1904-1996), who became the "& Son" of the family shop sign. When the Magic Flute brand was registered, Alexis was 20 (his father was 50) and probably had already learned the job since, according to Wikipedia:
Frank's son Alexis, assumed the role of Managing Director of J.Albert & Son in 1931. Over the next 50 years the J. Albert & Son empire gradually acquired interests in a network of eight stations. The stations included 4BC in Brisbane, 3DB in Melbourne and 2CC in Canberra. Later still in the 1950s the company became a major shareholder in ATV Channel Seven.
But it's not over for the Alberts with nose flutes... and that's another story, that will be told in Part V !
>> Access Part V
Related links :
- The Australian Magic Flute - Part I
- The Australian Magic Flute - Part II
- The Australian Magic Flute - Part III
- The Australian Magic Flute - Part IV
- The Australian Magic Flute - Part V
- The Australian Magic Flute - Part VI
- The Australian Magic Flute - Part VII