This blog is dedicated to the sublime instruments called nose flutes and which produce the most divine sound ever. We have chosen to discard all the native models from S. Pacific and Asia, for they need fingering to be played. We'll concentrate on "buccal cavity driven" nose flutes : the well patented and trademarked metal or plastic ones, plus, by a condemnable indulgence, some wooden craft or home-made productions.
Jun 12, 2012
Hottetotte : The Concerto for Nose Flute
Folks, what is following deserves all your attention :
« A contemporary of Franz Joseph Haydn, Jean-Marie Hottetotte considered himself "France's Haydn" although the French public actually despised his music. Hottetotte was intensely jealous of the success of Haydn's Trumpet Concerto and attempted to write a trumpet concerto himself, but was unsuccessful at securing a trumpet player who would even look at the score. The only musician that would associate with Hottetotte at all, was a classical nasenfloete player (the only known such player in the world) named Ulrich Nels from the remote village of Rhone-Alpes. Nose flutes had been used for centuries in Africa to call birds, but such a musical undertaking took two years for Nels to perfect. A public premiere of Hottetotte's “Concerto Pomposo” for Nasenfloete and Orchestra was heavily publicized for May 21, 1755, but was abruptly canceled due to it being the height of the hay fever season in France. Ulrich Nels was simply unable to play the nose flute during this unfortunate period. What few friends and investors Hottetotte had, pulled their support and had Hottetotte tarred and feathered. The public humiliation drove Hottetotte to live out the rest of his life in a home for the mentally ill. He died a peasant in 1781. Unfortunately, one score of “Concerto Pomposo” survived. »
And the website propose two mp3 recordings, of the 1st and 3rd movements of the Concerto Pomposo, unfortunately played with a 'modern' shepherd's crook cornet, not on a nose flute.
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