My goal is not to forge a Bocarina™, and certainly not to make a market with that (anyway, moulding and casting is much more expensive that buying the original nose flute!). Chris Schuermans had authorized me to experiment with a mould. Indeed, my goal is purely recreational.
[Sequel of the posts Part 1: Hard silicone and Part2: Casting urethane]
Moulding and Casting - Part 3: low temp alloys
My silicone RTV mould can stand a 300°C/570°F casting, but no more. So there is no way making a silver or steel nose flute by this mean. But pewter fusion temperature is rather low (170–230°C (338–446°F)) which fits my mould resistance.
Melted pewter turns purple, then brownish when it's time to remove this oxydized layer and cast.
That's how I got my Pewterina!
After some cleaning, deburring and sanding, I got a huge piece. Rather smooth at the top and covered with little craters on the shield, probably due to a bad cooling off. However I found it funny like that and didn't melt the nose flute for a retry.
It's a fat baby of 123 grams (4.33 oz)!
I also notice a tiny hole at the thinnest part of the original Bocarina™
That what not enough. I remembered I had somewhere a Cerrosafe ingot. The Cerrosafe is a low fusion point alloy, mainly used in armory to take the imprint of the inside of a rifle barrel. Indeed, this alloy retracts a little bit while hardening, providing the possibility to get the imprint out of the barrel. But what is interesting is that the Cerrosafe has a 70-88°C (158-190°F) fusion point. It means that you can melt it by dipping a bit in hot water!
The problem with Cerrosafe is that it is a hazardous alloy. It notably contains 37.7% of lead, and worst, 8.5% cadmium, which is a real poison: "The most dangerous form of occupational exposure to cadmium is inhalation of fine dust and fumes, or ingestion of highly soluble cadmium compounds. Inhalation of cadmium-containing fumes can result initially in metal fume fever but may progress to chemical pneumonitis, pulmonary edema, and death." You see? And it kills the kidneys, etc. Check this for fun.
Well, I decided to sacrifice myself for nose flute cause.
But it is obviously easier to cast the alloy while melted with fire, so I managed like I did with the pewter.
I unmoulded the flute, and immediately named it Borgiarina, the poisonous.
The Borgiarina weights tons! My precision scale is over loaded, and the postal scale indicates 170 g (6 oz)!
And the killer in the sun, with it sparkling needles:
I coated both the Pewterina and Borgiarina with a thin varnish, just in order not to get a lung cancer and kidney lesions before the end of this post.
Then I made a sound test.
Wowowowow! both alloy babies are incredible. The great Boccy sound... plus huge power! Really incredibly loud sound (really had to lessen the usual input level on my Zoom recorder). Precise, quick with attack, and huge!
Here is a sound sample recorded with the Borgiarina:
One man and his mould!ReplyDelete
Your work remains impressive... The crystalisation is fabulous! Isn't it marvellous how a solid body makes all the difference in clarity and volume?
Thank you Maikel!ReplyDelete
Yep, the heavy metal (body) is louder! :)