This blog is dedicated to the sublime instruments called nose flutes and which produce the most divine sound ever. We have chosen to discard all the native models from S. Pacific and Asia, for they need fingering to be played. We'll concentrate on "buccal cavity driven" nose flutes : the well patented and trademarked metal or plastic ones, plus, by a condemnable indulgence, some wooden craft or home-made productions.

Jan 13, 2012

YW, Taiwanese amateur builder

Chiou Shuen-Ping, known on the web as YW, is a graphic designer from Taïwan (Republic of China) and an amateur nose flutes craftsman. He notably creates wooden flutes with a curious and clever technique, cutting and gluing a pile of small sheets of wood.

YW kindly sent me one of his cute creations, and I asked him some questions.


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Noseflute.org : Who are you, YW ?

YW : I'm from Taipei, Taiwan (R.O.C.). A small island country in Asia. My name is “Chiou, shuen-ping”(邱舜平), and I often use the nickname ”YW” on the web and signature. I am a graphic designer and I love to make crafts in spare time. Before I started playing noseflute, I often play chromatic harmonica.

When did you begin to play the nose flute ?

I started to play the noseflute in almost end of last year (November of 2010).

How did you discover this instrument ?

Some day of last year, I saw the Japanese master "Mosurin" play a kind of small noseflute in the news on TV. That was very interesting and turned me curious of it, because I love to make crafts and play harmonica. So the mini, simple and elegant musical instrument, as the noseflute is, attracted my attention.

How did you decide to make nose flutes ?

In Taiwan, the indigenous people play a traditional kind of double-barreled noseflute (when we talked about the nose flutes in Taiwan, most people usually think of the traditional double-barreled nose flute)
. But almost no people play and sale this kind of small nose flute, so I have tried to hand-make some by myself.

How do you proceed to make a nose flute ?

I make the nose flutes by paper birch stick, just use one knife and quick adhesive, never use any machine nor sanding paper (I sand the flutes with the old method, using autumn leaves to grind).

My complete tool set for making nose flutes :


I staggered overlapping layers of birch paper to build noseflute (like a sandwich). With this manufacturing method, I can reserve airway, window and wedge during manufacturing process. And the airway can have the same size at every time. Because I only use one knife to make noseflute, this is a more convenient way to me.
Taiwan is a very humid place. So when I did a nose flute, I always integrate vegetable oil for a few days maintenance (usually soaked about a week). 
The color of nose flute becomes dark and the density gets higher.


You also made painted nose flutes : can you tell us more about them ?

I only made two painted nose flutes. It was the first two test-products.

In addition, when I saw the news of master Mosurin on TV, the news didn’t introduce the magical theory of nose flute.
So I just tried to guess the theory of nose flute, and searched for relevant information on the web (some websites about nose flute, some about ocarina, some about recorder), and anxious to find materials to test.

Then I found a small irregular wood waste near my home. 
Irregular wood is not good enough, has a rough surface and a low density. So, I only made two, and tried to paint them with acrylic painting and some glue, to allow smooth surface (and also let it not break easily). I painted them similar to aboriginal totem designs.

A few months later, I changed their paintings again, hardening their surface.


For those first two test-products, I used a knife to carve a single piece of wood. It was very difficult to make it, and I prefer the original texture and color of wood. Therefore, after I made the two noseflute, I found a new way to build my nose flutes, using staggered overlapping layers of birch sheets.




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YW's nose flute in photos

The object is very cute and funny. This nose flute is very very small (6 x 3 cm) and has almost perfectly identical faces, the nose notch excepted, plus the color of the duct cover piece (lighter on the front side).



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You can visit YW's blog here, with some pages dedicated to his nose flutes, and some thoughts about nose flutes in general.


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Jan 12, 2012

SARNF : The Return

When I built the SARNF (you know, the Stunning Auto-recording Nose Flute), I thought it would stay a unique collector item. Finally, I also built two other versions, the Lady Special, which was a hommage to the Nosy Diva, and the Grand Concert (recognizable by its tiny bow tie), offered to Mister Will Grove-White, famous member of the Ukulele Orchestra of Great Britain, and noseflutist by appointment of Her Majesty, since his gorgeous version of the James Bond theme.

Here is a triptych of the three lucky owners' recolorized and dedicated portraicts (click on the pictures to supersize them) :

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Here was the Standard Model with its historic presentation video :


--- Here is the Lady Special, accompanied by a video by the Nosy Diva :
--- And the Grand Concert model, with its luxury coconut case and personalized monogrammed puller (click on the images to supersize them):










Jan 7, 2012

Videos : 3 new vids with the Nosy Diva !

One by Feed the Diva!, made in a hurry in a frozen attic, and two nose flute practicing sessions in the Fiat 500, by Miss Birdy! All made in Hannover.

Jan 6, 2012

Show, a Japanese nose flutist

Sho Hirasawa, as known as « Show Nose Flute » on the internet, is a gentle and sympathetic 21 years old very active Japanese musician, website keeper, nose flute collector and amateur builder. He lives in Kobe, and play many kind of nose flutes, from the very common plastic Humanatone to the traditional nasal flutes (Olimong and Ohe Hano Ihu), including his own creations, like stunning gourd flutes.


Show has accepted to answer a short interview. Here it is :

noseflute.org : Show, when did you begin to play the nose flute ?

Show Nose Flute
: I began to play the nose flute in 2008. I was 18 years old in 2008. I was able to play the nose flute at the first try! I began to play the nose flute from this time.

How did you discover this instrument ?

My sister bought the Human-a-tone for me, at a second hand bookstore "Kasei-no-niwa (mean garden at mars)".

Do you perform on stage?

Yes I do! I have performed on stage only in Kansai, Japan, yet. I'm going to perform in other places stages in the future. I have been only playing existing music on stage yet, but I will create music for nose flutes.
I like to play "Lupin the 3rd theme" and "Passionate Continental theme". They were played on my first time stage "Banteki (mean ten thousand woodwinds) expo 2010".

I also played at :
- "Fete de la musique au japon in National Museum of Ethnology 2011" (Osaka, Japan).
I played three type Nose Flutes on this stage. Vietnamese, Human-a-tone, and Olimong. I think i'll perform on this stage in 2012 too.
- "Banteki expo 2010" (Kobe, Japan).
This is an event reserved to woodwinds. I played at lunchtime concert. Worldwide woodwinds players came to this event.
- "the Forest Concert in Nunobiki Herb Garden 2010" (Kobe, Japan).
Many types of musicians came this event. Recorder players, pianists, and more.

What nose flutes do you use ?

Buccal cavity driven type
(It is the main type of nose flutes I use. I can play within a near 4 octave range, and when the conditions are good, a bit over.)

- Vietnamese Nose Flutes
They are the main nose flutes for me, especially the ebony one.
My first vietnamese nose flute was bought at "Koizumi gakki", Kyoto. I have 7 Vietnamese nose flutes now. I think these nose flute have the most effective brake performance. Vietnamese nose flutes are appropriate for playing fast music, I think. They have some character.

- Human-a-tone
I think these nose flutes sound is light, and their blowing feel is soft.

- Nose Flute made in Mie, Japan
It is made by "Nihon Hanabue Kyokai Ise tomo no kai", and we drew it together.
They have 4+ octave range, can afford long blowing, and good brake performance. I think they are appropriate to slow music and majestic music.

- Nose Flute made by Mr.Yatake
I met Mr. Yatake at "Fete de la musique au japon in National Museum of Ethnology 2010". The flute has a 4+ octaves, can perform long blowing, and the feeling is "danceable", because the tone change is very smooth. It is well appropriate to play bright music.

- On-lak Nose Flute
It was made in Thailand, and the Japanese nose flute player Kiyoshi Suzuki fit the crown cap cymbals. It can produce percussions, because of this crown cap cymbals. Its feeling of play is like the Vietnamese one : my On-lak nose flute is a soft blowing type.

- Nose Flute made by Tatanakuy
It was made by "Tatanakuy", Nara, Japan. It is made in clay. It has 4+ octaves range. It is an easy player, and sounds like a recorder.


Fife type Nose Flute
I'm interested in all nose flutes. I also play "finger driven" nose flutes too.

- Olimong
It is a Philippines fife type nose flute. It was made by a Craftsman of the Kalinga tribe. I bought it at the National Museum of Ethnology, Osaka, Japan, and it was sold by "Pagoch". It has a linear carving on its body, as the Kalinga tribe usually make. The Kalinga tribe uses the Olimong for communication with spirits, gods, and lover. Because it has a very very Soft sound.

Recorder type nose flutes
- Ohe Hano Ihu (handmade)

My Original nose flutes
- Gourd Nose Flute (handmade)


Do you belong to a nose flute organization ?

No I don't. There isn't nose flute organizations near Kobe, and I like self education.

Do you build nose flutes by yourself ?

Yes I do. I made some nose flutes :

- The Ohe Hano Ihu (Recorder type). I could'nt find "Ohe Hano Ihu" in Japan, but I could find "How to make Ohe Hano Ihu" on web! They sound like Shakuhachi. I made 4 Ohe Hano Ihu.

- the Gourd nose flutes (my own creations). I wanted to make a low tone nose flute, like a "alt Nose Flute" or "Bass Nose Flute". Last year, I got the idea to create those! The idea is to connect the gourd cavity to the mouth cavity. Two cavities added to each other make a larger cavity, and thus produce low tones.


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You can visit the Show Nose Flute's website here.

And surely should take a look at shownoseflute Youtube channel, with many nose flute videos.

Jan 1, 2012

Happy new year!



Noseflute.org and UkeHeidi are glad to send their best wishes for the new year to all of you!

Noseflute.org is quite recent (less than 5 month of existence), and has received a nice welcome among nose flute players community around the world. We have posted around 110 posts yet (around 0.7 per day!), and have been honored by almost 6500 visits coming from all around the world, from America to Asia, Europe for sure, but also Africa, Australia, Oceania...

We wish the best for you and your families and friends, and hope nose flute playing will continue to spread and conquer new players.

Happy new year 2012 !

Antoine / UkeHeidi

Dec 22, 2011

Humanatone - Part III : the Gretsch metal era

Sequel of the posts :
Humanatone - part I : the metallic era
Humanatone - part II : the Gretsch plastic era


One of the rarest industrial nose flute to be seeked by the collector is undoubtedly the japanese Humanatone. It surely was a Gretsch Mfg Co. instrument, according to the packaging design and the fact the owner of the brand was Gretsch, but it was produced in Japan and there is no mention of another brand that « Humanatone ». It probably dates from the 50s and/or the 60s.

The instrument is a Humanatone made in plated tin, with a shape quite similar to the american plastic one, but with some light differences, partly due to the way of producing it.
The packaging used the exact graphic chart of its american cousin, but was simply inserted on a card, and not packed in a box.


The instrument in itself is absolutely gorgeous. It is made of nickel or chrome plated tin. The way it was produced is interesting. Two plates had been stamped and cut, corresponding to the shield on one hand, and the nose cap and duct cover on the other. Then both pieces were soldered together, and nickel/chrome plated. What's interesting is the way the instrument is cut in 2 parts : with the antique nose flutes, the nose cap was part of the shield plate. Here, the nose cap is the continuation of the air duct cover.

The japanese Humanatone is deprived of "true tremolo" hole, and has a shape lightly different from the plastic 50s model and, for sure, from the current plastic production by Trophy Music Co., notably by a smaller mouth hole.



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About metal Humanatones, check :

Humanatone - part I : the metallic era
New Humanatone ads
The Two metal Humanatones
Another metal Humanatone
Humanatone boxes
Another Humanatone box
Humanatone: A very early user manual
A Humanatone and clones chronology
A Humanatone in 1892 ?
Rectification: Humanatone appearance date


And on later Humanatones :
Humanatone - Part II : the Gretsch plastic era
Humanatone - Part III : the Gretsch metal era

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Dec 21, 2011

Cats and Nose Flutes

Our little friends love nose flutes. They are opposed to hand-free instruments, and surely prefer models with an elastic cord.

Miss Patafix! trying to get back her flute :

Mister Schubert watching over his instruments :

And mister Mingus, who never leaves its Nasenflöte :

Dec 15, 2011

Humanatone - Part II : the Gretsch plastic era

Sequel of the post : Humanatone - part I : the metallic era
Followed by : Humanatone - part III : the Gretsch metal era


En 1903, James J. Stivers launched the original Humanatone nose flute, made of tin plate, and refering to Carter's and Couchois' patents (adding later Leech-Couchois). On that purpose, he filed the trade-mark Humanatone in july 1904 (N°43264), then in August 1905 (with a new typo, N°45056).

The metallic Humanatone was a best and long seller, and Stivers renewed the trademark on Feb. 9th, 1926 (N°208915), and then twenty years later, on Feb. 9th, 1946 (same reg. number). I assume that in 1946, the metal Humanatone was not available anymore, replaced in the catalogs by its competitor the Magic Nose Flute, but it still features in the 1941 Favorite Mfg. Co. catalog.
(It would be rather logical that the metal Humanatone production stopped with the WWII, when iron became dedicated in order of priority to weapons rather than nose flutes, despite that bad playing could have been disastrous for the enemy...)

Anyway, the brand survived. On Jul. 19, 1947, the trade-mark was bought and renewed by the Fred Gretsch Mfg Co. (same number 208915), which renewed it again on Feb. 9th, 1966). However, before Gretsch bought the brand, a Gretsch plastic nose flute was already available, following the design of Ernest Davis' patent, as it can be seen in the 1944 F.A.O. Schwarz catalog...
(Had Gretsch bought the whole Humanatone Co. to Stivers, then took some time to register the trade-mark under its own brand ?).
So, it is possible to date the first plastic Humanatone between Jan. 22th, 1940 (when Ernest W. Davis filed his patent), or more probably 1942 (after Pearl Harbor attack and the beginning of war) and autumn 1943, when the Christmas toys catalogs were issued.
The very day the brand was bought, the Billboard published an advertising promoting the Gretsch Humanatone.


The packaging evolved. The first boxes were blue, and it exists a box version ready to be send to the boys in the service! It just needed to be stamped and address filled.


Then the boxes flattened, and received a two colored design (this graphic design was also applied to the metal japanese Humanatone). I know 2 versions of this box, one is beige and orange, and the other, less scarce, beige and bordeaux.

The shape of the flute itself evolved; the main difference was a later supplementation of a "heel" to the base of the mouth cap, forming a rest for the lower lip. I don't know when this change happened, but certainly after 1955, as the Continental and Meisel music catalogs show a model deprived of it.


The other differences can be seen in the stampings and on the « true tremolo » hole, which got enlarged a bit in diameter (and lost its conical shape). More, the mould injection entrance has been modified : on the early flutes, the plastic was injected by the very base of the mouth cap, leading to a unattractive edge. Next, the polystyrene was cast from the rear side of the mouth cap, as it can be seen with the circular "scar" apparent at this place.


Apart of the stampings and the quality of plastics (which was polystyrene at the beginning, before to become PVC nowadays), the main difference between the Fred Gretsch Mfg. Co. Humanatones and the contemporary ones by Grover-Trophy Music Co., was the injection of several colors plastic pellets in the moulds, leading to beautiful swirled colors, sometimes quite psychedelic!

Now, for the pleasure of the eyes...

Part of this collection was originally owned by Brian "Brionski" F.
Thanks a lot to him for having indulged my collector's greed !


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About metal Humanatones, check :

Humanatone - part I : the metallic era
New Humanatone ads
The Two metal Humanatones
Another metal Humanatone
Humanatone boxes
Another Humanatone box
Humanatone: A very early user manual
A Humanatone and clones chronology
A Humanatone in 1892 ?
Rectification: Humanatone appearance date


And on later Humanatones :
Humanatone - Part II : the Gretsch plastic era
Humanatone - Part III : the Gretsch metal era

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